Você pode estar se perguntando por que me senti compelido a escrever um guia completo do comprador sobre a melhor câmera Fujifilm.
A verdade é que fotografo Fujifilm há anos, mas ainda tenho dificuldade em entender sua linha de produtos!
Talvez você seja o mesmo? No momento em que escrevo, a Fujifilm oferece nada menos que 39 corpos de câmera da série X!
Isso é muito bom, mas muitos deles não apenas parecem semelhantes, mas também compartilham sensores e têm vários recursos sobrepostos…
Além da filosofia de melhoria contínua da Fujifilm (‘kaizen’) de fornecer atualizações consistentes de firmware para manter sua linha de produtos competitiva, eles também têm o hábito de lançar muitas câmeras e acessórios todos os anos!
Neste guia, tentei eliminar todo o ruído e oferecer minhas recomendações das 9 principais câmeras Fuji em 2022.
Vamos olhar mais de perto.
Melhor câmera Fujifilm em 2022
| Imagem | Produto | Recursos | |
| Fujifilm X-T4BEST VALUE ALLROUND | - Ótimo custo-benefício
- Desempenho rápido
- Excelente qualidade de imagem
- Versátil
|
| Fujifilm X-H1BEST FOR LOWLIGHT | - Grande estabilização de imagem
- Corpo robusto tipo DSLR
- Aderência ergonômica
- Botão de toque de pena
|
| Fujifilm X-Pro3BEST INCOGNITO PARA PROS | - Tela sensível ao toque LCD inclinável
- À prova de intempéries
- Multivisor híbrido avançado
- Qualidade de imagem incrível
|
| Fujifilm X-T200 MELHOR ORÇAMENTO FUJI | - Tela de toque frontal
- Acessível
- De bolso e leve
- Excelente desempenho com pouca luz
|
| Fujifilm X-T30BEST VALUE ALLROUND | - Ótimo custo-benefício
- Foco automático incrível
- Excelente qualidade de imagem
- Desempenho aprimorado com pouca luz
|
| A Fujifilm X-A7APONTA E DISPARA FLEXÍVEL | - Fácil de usar
- Pequeno e leve
- Acessível
- Grande tela sensível ao toque
|
| Fujiflm X100V MELHOR PARA VIAGENS SIMPLES | - Design icônico
- Qualidade de lente incrível
- Visor híbrido
- Tamanho compacto
|
| Fujifilm XF10 MELHOR PONTO E FOTOGRAFIA | - Fácil de usar
- Ótima qualidade de imagem
- Pequeno e leve
- Boa duração da bateria
|
| Fujifilm GFX-100MELHOR QUALIDADE DE IMAGEM | - Qualidade de imagem incrível
- Detecção de fase no sensor
- Corpo à prova de intempéries
- Excelente visor
|
1. Fujifilm X-T4
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Tamanho: 132,5 x 92,8 x 58,8 mm (5,2 x 3,6 x 2,3 pol.)
Peso: 539 g (19 onças)
Sensor: X-Trans CMOS 4 e X-Processor 4
Megapixels: 26
Prós - Corpo ergonômico e à prova de intempéries
- Slots duplos para cartão SD UHS-II
- Inclinar a tela sensível ao toque gira e gira 180 graus
- Excelente foco automático
- Qualidade de imagem líder da classe
- Recursos aprimorados com pouca luz
- Extremamente personalizável
- Disparo contínuo de até 30 qps
- EVF nítido, fluido e altamente responsivo
- Melhor duração da bateria
- IBIS de 5 eixos
- Opções de vídeo incríveis
Contras - Sem GPS
- Sem histograma de cores ao fotografar
Gostaria de começar dizendo que a Fujifilm X-T4 (review) é a melhor câmera mirrorless APS-C que a Fujifilm já produziu. Realmente – literalmente faz quase tudo e extraordinariamente bem.
A fotografia de stills é requintada. O sensor X-Trans 4 é capaz de coletar consideravelmente mais luz do que o sensor da X-T2 ou qualquer outra câmera sem espelho APS-C Fuji. A câmera agora tem uma faixa ISO de 80 – 51200.
Como seria de esperar de uma câmera Fujifilm, os JPEGs fora da câmera da X-T4 exigem pouco ou nenhum processamento, produzindo
fantásticos diretos da câmera tiros.
Se você fotografa em RAW, o sensor X-Trans 4 captura uma quantidade incrível de informações, permitindo amplo espaço para recuperar destaques e/ou recuperar sombras no Lightroom ou no software de edição de sua escolha.
O foco automático do X-T4 melhorou mais uma vez em relação ao já capaz X-T3 - ele continua melhorando. Incorporando um sistema AF híbrido com detecção de contraste e fase, é extremamente rápido e uma melhoria significativa em relação às gerações anteriores.
Além disso, o X-T4 possui
Estabilização de Imagem de 5 eixos melhorando drasticamente a redução de vibração e fotografia com pouca luz. A captura de 30 qps no modo de disparo contínuo é francamente ridícula.
Tela giratória é ótima para vloggers e fãs de selfie | © Greg Cromie
As fotos não são o único lugar onde a Fujifilm X-T4 brilha. Existem significativamente mais opções de vídeo do que quase todas as outras câmeras sem espelho por aí e é incrível com o que acontece.
Ele grava vídeos em 4K a 60fps, e as simulações de filme Eterna e Eterna Bleach Bypass são ótimas se você não se incomodar em ajustar a cor das suas imagens.
Graças ao novo LCD que gira em torno de 180 graus, é uma câmera de vlog ideal, pois não há mais a necessidade de um monitor externo para poder ver a si mesmo.
Dois slots de cartão de memória que aceitam os cartões SD UHS-II mais rápidos realmente consolidam a posição do X-T4 como uma
câmera para profissionais sérios . O backup na câmera é praticamente uma necessidade para fotógrafos de casamento e qualquer outra pessoa que precise criar um nível de redundância para suas imagens enquanto estiver em campo.
Não há quase nada que esta câmera não faça bem. É pequeno o suficiente para viagens e fotografia de rua, alta qualidade o suficiente para paisagens e retratos e imbatível para vídeo e vlogging.
Com a lente Fujinon certa, a Fujifilm X-T4 fará praticamente tudo o que você precisar.
Fujifilm X-T4 + Fujifilm XF 16mm f/2.8 | © Greg Cromie
É claro que a X-T4 tem pelo menos uma limitação:sua capacidade de luz de baixo nível nunca será igual à de uma câmera full-frame. (Sem surpresa.)
Basicamente, se você puder pagar, a Fuji X-T4 é uma câmera quase perfeita que é a melhor mistura de tamanho, preço e qualidade para câmeras sem espelho Fuji. Eu até conheci pessoas que abandonaram seus full-frames por esse carinha.
Se você estiver procurando por largura de distância focal máxima, profundidade de campo ou maior desempenho com pouca luz, provavelmente precisará investir mais em uma câmera com sensor full-frame. Para todos os outros, a Fujifilm X-T4 é a melhor câmera sem espelho disponível na linha.
Para quem é a Fujifilm X-T4?
Se você está procurando a
melhor câmera mirrorless completa A Fuji tem a oferecer, a Fujifilm X-T4 é a sua cara. Confie em mim, esta é sem dúvida a maior câmera principal da Fuji - esta é a nata da atual safra de câmeras com sensor Fuji APS-C.
A atualização ou não da geração anterior dependerá do que você está fazendo com ela. Para fotografia de rua e de viagem, por exemplo, provavelmente ainda parecerá muito com o X-T3.
Para fotografia de esportes e outras necessidades de autofoco rápido/fotografia contínua, definitivamente pegue a Fuji X-T4.
E para vídeo…
simplesmente uau. Graças ao novo LCD giratório e simulações de filme, o X-T4 é definitivamente o caminho a percorrer para um atirador híbrido que precisa tirar fotos de nível profissional e, em seguida, com o toque de um botão, gravar vídeo com qualidade de transmissão
filmagem .
Além disso, se você estiver procurando por uma câmera incrivelmente capaz com IBIS, a X-T4 será uma excelente escolha.
Por que você deve comprar A Fujifilm X-T4 é uma câmera que faz tudo que desafia a necessidade de full-frame. O melhor polivalente Fujifilm.
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2. Fujifilm X-H1
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Tamanho: 139,8 x 97,3 x 85,5 mm (5,5 x 3,8 x 3,4 pol.)
Peso: 673 g (23,7 onças)
Sensor: X-Trans CMOS III e X-Processor Pro
Megapixels: 24
Prós - Estabilização de imagem no corpo
- Corpo ergonômico e à prova de intempéries
- Slots duplos para cartão SD UHS-II
- Botão do obturador com toque de pena
- Tela sensível ao toque
- Redução de cintilação
- Tons de pele incríveis
- Corpo grande ótimo para lentes/mãos maiores
Contras - O foco automático não é tão rápido quanto o X-T4
- Opções de vídeo limitadas
A Fujifilm X-H1 (revisão) foi a única câmera Fujifilm X Series a apresentar IBIS. No entanto, o X-T4 agora inclui o IBIS, tornando-o uma opção incrivelmente atraente. Independentemente disso, existem várias razões de manuseio para fazer você escolher esse corpo um pouco maior.
Primeiro, a Fuji X-H1 é uma câmera mais robusta. Não é enorme como uma DSLR Full Frame – é apenas um pouco maior. Isso faz com que seja uma combinação muito melhor para lentes mais longas/pesadas.
Graças ao espaço adicional no corpo, os botões AFL e AEL são melhores do que em qualquer outra câmera da série X. O tamanho aumentado do punho também funciona melhor para quem tem mãos maiores – esta é uma das poucas câmeras mirrorless que não me faz perder a ergonomia das minhas DSLRs.
Claro, com o aumento do tamanho, você também ganha mais peso. Para alguns, isso será ruim, no entanto, o aumento de peso em comparação com uma DSLR não é nada e o X-H1 ficará fantástico na mão.
O IBIS na X-H1 funciona incrivelmente bem, então se você fotografar principalmente na mão com lentes prime não estabilizadas, esta versátil câmera Fuji é uma escolha óbvia. Também torna a fotografia com a mão em situações de pouca luz muito mais fácil de gerenciar.
Usar o IBIS para permitir níveis de ISO mais baixos em uma câmera com sensor APS-C é uma grande vantagem - você pode fotografar com a câmera de mão em velocidades de obturador muito mais lentas do que faria de outra forma, o que significa que não há necessidade de aumentar o ISO para obter um tiro nítido com pouca luz.
JPEG direto da câmera com a Fujifilm X-H1 + Fujifilm 16mm f/1.4 | 1seg f/7.1 ISO100 | © Mark Condon
O X-H1 tem uma redução de cintilação. Esta é uma vantagem séria para qualquer pessoa em iluminação fluorescente, mercúrio ou mista – fotógrafos de casamento, tomem nota!
Outro motivo é o botão do obturador de toque de pena do X-H1, que é novo na linha Fuji. Demora um pouco para se acostumar, mas quando você fizer isso, o obturador em todas as outras câmeras parecerá lento. Realmente, “toque de pena” não é um exagero aqui – o menor toque no botão e sua foto é tirada.
Como em todas as câmeras Fuji, a ciência das cores é incrível. Para qualquer foto com pessoas, os tons de pele são simplesmente incríveis com o X-H1. Pode não ser vívido o suficiente para paisagens ou fotos da natureza, mas para retratos, é absolutamente lindo.
O vídeo no Fuji X-H1, no entanto, não chega nem perto do X-T4. O processador mais antigo do X-H1 simplesmente não acompanha alguns dos recursos mais recentes, embora as atualizações de firmware façam uma enorme diferença.
Minha esposa usando a Fujifilm X-H1 + Fujifilm 16mm f/1.4 – é definitivamente uma das câmeras mirrorless mais volumosas.
O compromisso da Fuji com sua fórmula 'Kaizen' de melhorias contínuas realmente mostra e significa que você pode manter o mesmo corpo da câmera por vários anos sem a necessidade de uma atualização de hardware.
Outra diferença para a X-T4 é que a Fuji substituiu o dial de compensação de exposição que normalmente ficaria em cima da câmera por um submonitor. Se você está acostumado com o mostrador de exposição, isso provavelmente o irritará inicialmente. Outros, tenho certeza, provavelmente acharão a tela secundária útil - também fica ótima quando iluminada.
Ainda assim, esta é uma câmera pela qual muitas pessoas se apaixonam. Se você tem um estilo de filmagem mais lento e suave (ou seja, você não está filmando ação e/ou precisa de AF super rápido), você pode realmente apreciar o estilo e a sensação exclusivos da Fujifilm X-H1.
Apenas certifique-se de fazer as atualizações de firmware – elas fazem uma enorme diferença no desempenho desta câmera.
Para quem é a Fujifilm X-H1?
A Fujifilm X-H1 agora é apenas um dos dois modelos da série X com estabilização de imagem na câmera, portanto, se você precisar fotografar com a mão com pouca luz, esta é a câmera a ser obtida.
Também é uma ótima escolha para quem está acostumado com o peso e o peso de uma DSLR, tem mãos maiores ou apenas como o equilíbrio que uma câmera mais carnuda traz para lentes maiores / mais pesadas.
Pessoalmente, tenho mãos grandes e achei a transição de um corpo DSLR para um mirrorless menor um pouco chato, especialmente sem o uso de um punho de câmera. No entanto, com o X-H1, sinto-me em casa.
O X-H1 também pode ser para você se você fizer estilos mais lentos de fotografia - retrato, paisagem, arquitetura, macro etc. É bem diferente de outros primos da série X e se destaca do pacote por sua robustez e ergonomia prática.
A redução de cintilação do X-H1 também pode ser um fator decisivo para quem faz muitas filmagens em ambientes fechados - ser capaz de evitar as temidas 'bandas' ao fotografar com luz artificial economiza muito tempo.
Evite a X-H1 se você é um fotógrafo de ação, procura uma câmera mais leve e compacta ou precisa de opções de vídeo de alta qualidade.
Por que você deve comprar O Fujifilm X-H1 é um monstro IBIS com pouca luz com um design robusto e ergonômico e um processador que leva o sensor Fujifilm X-Trans aos limites.
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3. Fujifilm X-Pro3
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Tamanho: (L) 140,5 mm × (A) 82,8 mm × (P) 46,1 mm / (L) 5,5 pol × (A) 3,3 pol × (D) 1,8 pol
Peso: 497g / 17,5oz
Sensor: X-Trans™* CMOS IV e X-Processor Pro
Megapixels: 26.1
Prós - Visor híbrido avançado
- Qualidade inigualável do visor
- Tela para baixo
- Segundo submonitor para simulação de filme e dados de filmagem
- Excelente qualidade de imagem
- Construção metálica à prova de intempéries
- Excelente qualidade de construção
- À prova de intempéries
- Filmes maravilhosos
- Melhor desempenho da bateria
- Grande martelo reserva
Contras - O controle deslizante ISO está mal posicionado
- O LCD oculto não é para todos
A Fujifilm X-Pro3 (revisão) é uma das mais recentes câmeras da série X da Fuji (2019) e continua a reputação positiva da série X-Pro. Seu estilo e construção são projetados para emular a sensação da fotografia de filme. Além disso, está tentando forjar uma relação mais próxima entre a câmera e a experiência de filmagem.
Para quem nunca filmou antes, a principal diferença que você encontrará entre a Fujifilm X-Pro3 e outras câmeras da série X é o
visor híbrido . A única outra câmera a ter isso é a série X-100, incluindo a novíssima Fuji X-100V.
A Fuji X-Pro3 com seu visor híbrido exclusivo, oferece uma experiência no estilo telêmetro da velha escola.
A X-Pro3 é a única câmera de lente intercambiável do mundo que incorpora um visor óptico e um visor elétrico, com três opções diferentes.
O visor eletrônico, que é de aprox. 3,69 milhões de pontos OLED, funciona como o visor sem espelho padrão, mostrando a imagem e as informações do LCD.
Como seria de esperar, o visor óptico exibia o mundo real com um LCD sobreposto para mostrar as principais configurações da câmera. Um novo recurso disso é a capacidade de ver antecipadamente como a imagem de diferentes lentes de distância focal seria enquadrada.
A opção híbrida do visor inteligente é ter a tela óptica completa e, em seguida, no canto inferior direito, um pequeno LCD aparece para mostrar imagem a imagem. Você usa tanto a exibição ao vivo com um LCD para garantir que o balanço de branco, ISO e outras configurações sejam ideais.
Ter a cena inteira no visor do X-Pro3 realmente permite capturar a ação no momento certo. Eu não posso te dizer o quão legal isso é – você tem que experimentar por si mesmo.
Especialmente se você é um fotógrafo esportivo, fotojornalista ou fotógrafo de vida selvagem, talvez nunca queira voltar para as telas de LCD das séries X-E ou X-T.
A Fuji X-Pro3 tem um estilo verdadeiramente único e retrô. O LCD está oculto e você tem acesso constante ao submonitor para simulação de filme e dados de disparo.
Quando se trata de qualidade de imagem, a X-Pro3 está usando a mais recente tecnologia da Fujifilm para fornecer imagens requintadas, independentemente das condições de iluminação. Ele abriga o novíssimo Fujifilm X-Processor Pro e o mais recente sensor de imagem CMOS X-Trans IV.
Enquanto um sensor recortado como este pode não ser capaz de fornecer as imagens de alto detalhe de um sensor full-frame, a Fuji X-Pro3 tem um desempenho admirável, fazendo com que muitos questionem a necessidade de migrar para full-frame.
Quando se trata de vídeo, o Fuji X-pro 3 melhorou em sua iteração anterior, pois suporta vídeo 4K completo em até 29,97p. Embora não seja comercializado como o modelo principal da Fuji para vídeo, o X-Pro 3 produz uma qualidade de vídeo excepcional, especialmente com a relativamente recente simulação de filme Eterna.
O estilo e o design da série X-Pro sempre foram destaque graças ao seu telêmetro e à estética retrô. É uma câmera de ótima aparência e adiciona algo especial à sua experiência de filmagem, com muitos primeiros observadores acreditando que é uma câmera de filme.
A Fuji X-Pro3 tem uma qualidade de construção incrível com uma estrutura de magnésio sólida, além de placas de topo e base de titânio. Você poderia seriamente martelar um prego na madeira com esta câmera. A versão padrão é preta e tem uma aparência muito furtiva, tornando-a perfeita para fotografia de rua. Duas variações adicionais, incluindo Duratech Black e Duratech Silver, possuem um revestimento especial de titânio que é resistente a arranhões.
Para quem é a Fujifilm X-Pro3?
A Fuji X-Pro-3 é a mais recente câmera principal, o que significa que será adequada para amadores e profissionais avançados. A maior atração desta câmera será a excelente qualidade de imagem, estilo retrô e o visor híbrido exclusivo. A principal diferença entre selecionar esta câmera e a nova X-100V é que a X-Pro-3 possui lentes intercambiáveis.
Se você ama a aparência das câmeras de filme da velha escola com estilo retrô, então esta câmera lhe dará tudo isso, além da mais recente tecnologia digital de última geração que a Fujifilm pode reunir. É o melhor dos dois mundos e fornecerá qualidade de imagem excepcional por meio de uma gama completa de recursos e funções na câmera.
Por que você deve comprar Um verdadeiro clássico do design, com desempenho óptico incrível e um visor híbrido exclusivo.
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4. Fujifilm X-T200
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Tamanho: 121,0 (L) mm x 83,7 (A) mm x 55,1 (P) mm / 4,8 pol. (L) x 3,3 pol. (A) x 2,2 pol. (P)
Peso:> 370 g (13 onças)
Sensor: APS-C CMOS
Megapixels: 24.2
Prós - Menu simples e controles de câmera
- Mostradores físicos, apesar do tamanho
- Ótimo foco automático
- Aperto de mão melhorado
- Barato
- Tamanho de bolso
- Fácil de usar
- EVF integrado
- Tela sensível ao toque inclinável
- Excelente qualidade de imagem
- Vídeo 4K @ 29 fps
Contras - Não é adequado para mãos maiores
- Lento em geral
The Fujifilm X-T200 (review) is a super-compact entry-level mirrorless designed to appeal to mobile phone users who want to enter photography – much like the X-A7.
Unlike the less expensive X-A7, the X-T200 has a built-in electronic viewfinder and has more advanced settings, allowing for greater creative control.
It’s actually Fuji’s
least expensive X-series camera that includes an electronic viewfinder – most photographers I know prefer having a viewfinder to compose their images, especially in strong sunlight.
It comes with a 3-way tilt touch screen, improved video ability with 4K at 29.97P for up to 15 minutes – making this a brilliant camera for vloggers.
This upgraded version from the original X-T100 has a new and improved grip making it far easier to hold – especially for those of us with bigger hands.
The Fuji X-T200 about
half the weight of many of the more advanced X-series cameras. In fact, the Fujifilm X-T200 is downright tiny but still manages to feature a decent 3 inch tilting touchscreen.
Talking of the screen, a key feature for all the vloggers out there is the ability to flip the screen to the front. This means that when combined with a wide-angle lens, the Fujifilm X-T200 can be used to film yourself at arm’s length – fortunately, there’s also an external 3.5mm mic input, HDMI and USB-C connectors.
The huge 16:9 ratio touch screen allows for full menu control as well as a simple icon menu system that will be appealing to smartphone photographers.
As expected on a Fujifilm camera, the X-T200’s images come out
sharp and detailed . The image sensor is vastly improved over the previous X-T100 model resulting in greater low light performance. The colours and tonality are the expected Fuji-beautiful, and the film simulation mode is a lot of fun. The sensor works beautifully, and the camera itself is a miniature beauty in its own right – I love the graphite/black colourway.
Unfortunately, the kit lens that often comes with the X-T200 is sluggish on the focus. However, you have a huge range of cheap primes and zooms available. If you’ve never worked with interchangeable lenses before and wanted to try it out, this is a great place to start.
In terms of shooting performance, it’s clear that this is Fuji’s entry-level option – autofocus speed is sluggish, as is the camera operation in general.
However, it has to be said that if you’re coming straight into the Fujifilm system and this is your first experience outside of a smartphone, you probably won’t notice any of the slowness – it’s only when you start to compare to the more expensive cameras in their lineup that you’ll see the difference.
If you’re looking for a
hassle-free entry-level mirrorless camera that can be had for less than 700 bucks, you can’t wrong with the Fujifilm X-T200. The front-flip LCD screen is also unique on an inter-changeable camera at this price point.
Who is the Fujifilm X-T200 for?
The X-T200 is the perfect first camera for someone new to photography or wanting to step up from smartphone photography. It’s simple to operate, yet offers room to grow into more advanced creative control. It also happens to be the Fuji’s least expensive interchangeable lens mirrorless with a built-in viewfinder.
If you’ve got a limited budget, the X-T200 is the cheapest way to take advantage of all the amazing Fujinon lenses, not to mention those film simulation modes that have made Fujifilm cameras so desirable.
It’s also a great second camera for the pro or advanced amateur when they don’t want to lug around all their heavier gear – just be aware that there’s only one card slot.
Why You Should Buy An inexpensive and fun camera for getting started with the wonderful world of Fujifilm film simulations and X-series lenses.
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5. Fujifilm X-T30
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Size: 118.4 x 82.8 x 41.4 mm (4.7 x 3.3 x 1.6 in.)
Weight: 383 g (13.5 oz.)
Sensor: APS-C X-Trans CMOS III
Megapixels: 26.1
Prós - Feature-packed compact camera
- 425-point phase-detect autofocus system
- Excellent face detection capabilities
- The same sensor as the X-T3, but at a much lower price
- Pequeno e leve
- Vídeo 4K
Contras - No IBIS
- Viewfinder not designed for those who wear glasses
- Can only shoot 10 minutes of video at a time
The Fujifilm X-T30 (review) is essentially a smaller, lighter version of the X-T3. It uses the same processor, same phase-detection system, and even the same frame rate capability. If you’re wanting the X-T3 or X-T4 but can’t afford it, this is definitely the camera to buy.
The Fuji X-T30 has the same styling as the retro X-T3 and also features the same sensor and processor.
It also makes a great backup body to the X-T3 or X-T4, but remember, there’s only one card slot. If Fujifilm had provided a dual card slot, I don’t see any real reason that professionals would keep buying the X-T3 over this little pocket-rocket.
In fact, the X-T30 has enhanced face detection and eye-tracking. You can now choose the face that you want to lock on to, which is great when shooting crowds of people when you need to hone in on just one subject.
It also has a few additional functions designed to cater to the less professional photographer (i.e. Advanced SR Auto, etc.). Also, the Fujifilm X-T30 is somewhat smaller, which will be a big plus to travel photographers.
The only real trade-offs for going with the X-T30 are a limited buffer, fewer body controls (it’s a smaller camera), no weather-proofing and only one card slot. Otherwise, it’s essentially the same camera as far as still photography is concerned.
Video is really the only place where you might be disappointed with the Fujifilm X-T30’s performance, and that’s primarily because you’re limited to 10-minute clips. (I suspect this is because the camera’s so small – it would probably overheat if it went longer.)
Still, during those 10 minutes, it can record 8-bit 4:2:0 video direct to the SD card or 10-bit 4:2:2 video to an external recorder. That gives you plenty of post-processing leeway.
It also comes with the Eterna film simulation, for those who don’t want to spend time colour grading – Eterna gives a soft, muted look to the overall image, making it particularly suited for skin tones.
Eterna has actually been one of the most compelling reasons for videographers to use the newer Fujifilm cameras that offer it – the flat, low-saturation look offers more flexibility for post-production, but also looks beautiful straight out of the camera.
For photographers, Eterna can be applied to stills on the Fujifilm X-T30 too, offering a truly unique look to the final JPEG – somewhere between Classic Chrome and ProNeg Std. I like to use it in the early morning (blue hour) when shooting outside.
Overall, considering the X-T30 retails for a full $500-$600 less than the X-T3, you’re getting an amazing camera. If you want the exceptional performance and features of the X-T4 but don’t have the cash, the X-T3o is really your best bet.
Who is the Fujifilm X-T30 for?
The Fujifilm X-T30 is for those who want the quality of the X-T3 or X-T4, but don’t want to fork out the cash.
Amateurs, hobbyists and pros will all love this camera. Basically, it’s for everyone who doesn’t need the features of a full-frame, wants top-of-the-line features otherwise and is looking to spend less than $1,000.
In my mind, it’s only the hardened professional who absolutely needs a weather-proof body with dual card slots, who would pay the extra to get the X-T3 or X-T4.
The Fujifilm X-T30 is an absolute bargain of a camera – this much technology packed into such a stylish body at an affordable price is a true rarity, but Fujifilm has managed to accomplish it.
Why You Should Buy The Fujifilm X-T30 features flagship technology in a smaller, less expensive package. Best bang for the buck Fujifilm camera of the year.
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6. Fujifilm X-A7
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Size: 119.0(W) mm x 67.7 (H) mm x 41.1(D) mm / 4.7 in.(W) x 2.7 in. (H) x 1.6 in. (D)
Weight: 320 g (11 oz.)
Sensor: APS-C CMOS
Megapixels: 24.2
Prós - Sharp, top-quality images
- Great colour and tonal reproduction
- Front-flip LCD screen
- Fácil de usar
- Compacto
- Relatively inexpensive
- Face/eye detection focus
Contras - Sluggish autofocus with kit lens
- No electronic viewfinder
- Awkward to use
If you’re looking to make your first foray into the world of mirrorless cameras and don’t want to spend a lot of money, the Fujifilm X-A7 (review) is a great choice. Plus, over its previous incarnations, the Fuji X-A7 has had some serious upgrades.
Its large sensor and interchangeable X-series lens system open up a whole world of photography beyond the smartphone, without being too complex for novice users.
As one of Fuji’s
least expensive X-series mirrorless cameras , the Fujifilm X-A7 doesn’t have a viewfinder, but the simplified, user-friendly controls paired with its exceptional image quality make it a great entry-level camera.
The X-A7 features a large 16:9 ration LCD touch screen that can face the front – perfect for filming yourself vlogging, or for that all-important selfie-shot – there are even in-camera selfie settings that help you look your best!
Leave it on Auto to take advantage of its excellent point-and-shoot capacities, or delve into its manual controls and get more creative.
Either way, the Fujifilm X-A7 is an excellent camera for first-timers or smartphone shooters who are looking to go deeper into the world of photography.
The Fujifilm X-A7 is a great entry-level interchangeable lens camera.
Fortunately, the autofocus on the X-A7 has been greatly enhanced thanks to its new sensor and processor. However, the included kit lens is terribly sluggish to the detriment of the performance of the camera. If you find it too slow, then I’d recommend buying the body only and pairing it with a better zoom lens, or investing into a fast prime.
It’s also a good idea to invest in a better lens if you’re wanting to do a lot of low-light photography. With the new sensor, low light performance has greatly improved on this camera – noise is less of an issue when shooting at higher ISO.
As far as video is concerned, the full HD video quality is high-quality. This has been boosted to shoot a respectable 4K video at 29 fps making this a perfect camera for vlogging or for holiday videos.
Overall though, the Fujifilm X-A7 is an impressive little camera for beginners (see guide) that’ll slide into your jacket pocket with ease.
It takes great photos (both Raw and Jpeg), is available in a range of colours (the fake-leather accents are a nice touch), and offers a low-priced entry-point to the great X-mount Fujinon lenses.
The Fuji X-A7 features a huge 16:9 ratio touch screen with simple icon menu controls
Who is the Fujifilm X-A7 for?
The Fujifilm X-A7 is perfect for those who are looking to upgrade from their smartphones and explore the interchangeable lens world.
It’s
beginner-friendly , won’t break the bank, and allows you to invest in X-series lenses while upping your game on an easy-to-learn camera.
The styling is also clearly aimed at the
fashion-conscious vlogger, with good looking fake-leather side panelling that elevates the camera above plasticky point and shoots.
Why You Should Buy The Fujifilm X-A7 is the perfect step up from a smartphone for photographers wanting a no-nonsense point and shoot.
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7. Fujifilm X100V
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Size: (W) 128.0mm × (H) 74.8mm × (D) 53.3mm /(W) 5.04in × (H) 2.94in × (D) 2.10in
Weight: 478g / 16.9oz
Sensor: X-Trans™* CMOS IV &X-Processor Pro
Megapixels: 26.1
Prós - Awesome hybrid viewfinder
- A new sharp, fast lens
- The latest X-Trans IV sensor
- Highly customizable
- In-lens ND filter
- Compact, beautiful design
- Inconspicuous styling
- 17 film simulations
Contras - Poor grip
- No dual card slot
- Limited weather sealing
Since its launch in 2010, the X100 series has seen a tremendous rise in popularity, culminating with this, the fifth generation Fujifilm X100V (review). And it is fair to say that this is the best of the best.
I’ve owned previous generations, and have always been impressed by the image quality produced by its fixed 23mm (35mm equivalent) f/2 lens combined with Fujifilm’s acclaimed X-Trans APS-C CMOS sensor.
Auto-focus was never a strong point for earlier iterations, but with the V model using the new faster 23mm f/2 Version II lens autofocus is incredibly fast. ,
Fujifilm has created an
incredibly versatile , high-quality rangefinder camera that oozes style. Forget the over-priced ‘red dot’ cameras out there – this little number beats them hands down in the aesthetic design stakes.
Whether you take advantage of the hybrid viewfinder or not (which allows you to choose from a conventional optical viewfinder with an electronic overlay or an electronic viewfinder), shooting with the Fujifilm X100V is an utter joy for street, documentary and travel.
The X100V features numerous improvements and refinements over previous models, including the powerful third-generation 26.1 MP X-Trans CMOS IV sensor, X-Processor Pro image processor, smart button layout with
joystick AF control , Built-In ISO dial, new film simulations, new lens and more.
If you shoot single-point AF mode like I do, having a joystick or joypad to manually control the AF point is an absolute must.
The refresh rate and clarity of the EVF are incredible, making the EVF seem even more like you’re looking from an OVF.
A continuous shooting mode up to 11 fps combined with a larger buffer and improved AF system means that the Fujifilm X100V can keep up with fast-moving action too… although I’d never call this a camera for sports photography by any stretch.
I particularly enjoy the X100V due to the limitations imposed by its fixed lens – despite all the amazing Fujinon X-mount lenses available, I sometimes prefer the simplicity of having a camera with no lens options… and thanks to the incredible sharpness/contrast of the built-in new 23mm f/2 II, I don’t feel like I’m missing out on anything.
The
built-in ND filter is also a great touch, and something I find myself using it a fair bit when shooting the kids out in the broad daylight – it’s nice to still be able to get a shallow depth of field with that gorgeous f/2 lens.
We haven’t mentioned the aesthetics of the camera yet, but it goes without saying that this is one gorgeous camera to look at and to hold. The retro-rangefinder inspired styling is a sure hit for any photographer and is sure to attract some compliments.
(If you want to go a step further with some customisations, check out our article on accessories for the Fujifilm X100 cameras.)
Overall, I highly recommend this camera, whether you’re a professional or a beginner. The Fujifilm X100V is a fantastic
all-round camera that’s perfect as an everyday workaround or even used to earn money as a pro photographer – just remember there’s only one card slot.
Who is the Fujifilm X100V for?
The tack-sharp lens, the professional image quality, and the no-hassle compact-size make the Fujifilm X100V the perfect everyday carry camera for the dedicated photographer.
It’s a particularly convenient pocket camera for travel, street, or documentary photography.
If you’re looking for a Fuji camera that can shoot beautiful straight-out-of-camera JPEGS, as well as competent RAWs, but don’t have time for multiple lenses, this is definitely the camera for you. It also happens to be an absolute joy to use.
Why You Should Buy The Fujifilm X100V is the perfect pocket camera for uncomplicated family, travel, and documentary shooting. My favourite of the bunch.
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8. Fujifilm XF10
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Size: 112.5 x 64.4 x 41.0 mm (4.4 x 2.5 x 1.6 in.)
Weight: 278.9 g (9.8 oz.)
Sensor: APS-C CMOS
Megapixels: 24.2
Prós - Excellent image quality, especially JPEG
- Excellent lens performance
- Low noise at high ISOs (RAW and JPEG)
- Beautiful colours
- Surprisingly good battery life
- Super-compact
- Touchscreen
- Ótimo valor
Contras - 4K/15p video, not a serious feature
- Buffer fills quickly when shooting RAW bursts
- Slow autofocus
- Shallow grip
The Fujifilm XF10 is a high-performing, minimum-fuss point-and-shoot camera that’s
perfect for travel if you want a step up in quality from your smartphone.
It comes with a fixed 18.5mm f/2.8 (28mm equivalent) wide-angle lens that is optimized for its 24.2-megapixel APS-C sized sensor.
Even though I’m a fan of shooting at 35mm, I find 28mm a welcome break, and perhaps even better suited for travel photography, allowing you to get more in the frame.
The main reason to upgrade from a smartphone to the Fujifilm XF10 is sensor size – the APS-C CMOS sensor inside the XF10 is a full
14 times larger than the sensor inside conventional smartphones.
Combined with the impressively fast f/2.8 wide-angle lens, the low-light and depth-of-field performance of this little pocket camera far exceed anything even the best smartphones can do… yes, even Portrait mode on your fancy new iPhone!
A quick word on the latest smartphone background-blurring features – it’s definitely a step in the right direction, but it’s still just A.I. making the tweaks – it’s definitely not foolproof, and sometimes produces rather odd results, where the background looks like a painting.
Compared to the size of an iPhone 7, it’s easy to see why the Fujifilm X-F10 is so popular with travellers.
It’s hard to mark the Fujifilm XF10 down for all the features that it’s missing, like a tilting or vari-angle rear screen, viewfinder, image stabilization, etc., since it’s not meant to be that kind of camera. Think of it as a luxury point-and-shoot.
What the Fujifilm XF10 does do, it does superbly. The natural skin tones and beautiful colour reproduction are worth it just in themselves.
The 18.5mm fixed lens provides
outstanding detail and sharpness . It’s wide enough to get more context, but not so wide that it brings in elements of distortion. Overall, it’s just a superb little travel camera that’ll slide into your back pocket.
As mentioned before, I love the limitations a fixed-lens system imposes – there’s no ‘temptation’ to bring every other lens you own, and you’re forced to improve, shooting the same focal length constantly, until you can visualise the scene before even lifting the camera to your eye.
Another bonus is that the XF10 is super-easy to use. The 3″ touchscreen
operates just like a smartphone , responding to pinch and zoom, drag, and swipe gestures. The controls are so simple, in fact, most can operate it easily with just one hand.
On top of this, the XF10 weighs just 279g (9.8 oz). (Smartphones are generally between 160-200g.) It’s also much less expensive than other premium point-and-shoots on the market in 2022.
So if you travel a lot or simply want a lightweight camera that outperforms your smartphone, you’ll want to take a serious look at the Fujifilm XF10. Its slim size, sharp wide-angle lens, and excellent image quality make it one of the best pocket-camera options in this price range.
Who is the Fujifilm XF10 for?
The Fujifilm XF10 is a top-quality pocket camera for smartphone upgraders. Its slim design, excellent performance, super-sharp wide-angle lens, and smartphone-like controls make it the perfect first step up for those who do lots of street and travel photography.
It does have its limitations, but that’s to be expected for an inexpensive point and shoot camera that’s not trying to shoot up there next to the big boys – the XF10 has created its own niche in the pocket camera market, and it’s currently dominating it very well.
Why You Should Buy The Fujifilm XF10 is a minimum fuss point-and-shoot camera with all the gorgeous Fujifilm film stock simulations, that slips easily into your back pocket.
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9. Fujifilm GFX 50R
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Size: 160.7 x 96.5 x 66.4 mm (6.3 x 3.8 x 2.6 in.)
Weight: 775 g (27.3 oz.)
Sensor: 43.8mm x 32.9mm Bayer array
Megapixels: 51.4
Prós - Out of this world image quality
- Great handling
- Excellent price for a modern medium format digital camera
- Endless customization ability
- Vedação contra intempéries
- Excellent EVF
Contras - Relatively slow autofocus
- Slow continuous shooting speed
- Not great at video
- Shallow grip
Most often used in fashion and advertising, medium format cameras used to be out of reach for most photographers. Many can run up to over $40,000 for the camera body alone.
At the end of 2016, Fujifilm came out with one of the first mirrorless medium-format cameras ever:the Fujifilm GFX 50S, which I reviewed here.
Pricewise it finally brought medium-format cameras into the range of the enthusiast, while offering portability not generally seen in these high-end cameras.
The newer Fujifilm GFX 50R is a lighter, less expensive version of the 50S, with almost everything else the same.
Roughly the size of a DSLR, the GFX 50R (review) combines the
incredible image-capturing performance of a medium format camera, the handheld familiarity of a DSLR, and the irresistible film-like design we all know and love in a Fujifilm camera.
In short, it’s something of a revelation in the camera industry and has photographers from every other brand looking over to the Fujifilm camp with envy…
Crazy shallow depth of field from the Fujifilm GFX + 110mm f/2 GR | 1/200 f/2 ISO500.
Like its older brother, the Fuji GFX 50R has a 51 mp sensor that is 70% larger than a full-frame camera’s. That means it provides
exceptional imagining performance – sharpness, colour reproduction, ISO range, and noise performance are far better than even the best full-frame camera in 2022.
The fall-off from in-focus to out-of-focus on the GFX 50R is just incredible – pairing it with one of the fast Fujinon GF lenses will leave your jaw on the flow when you see your images on a high-quality photography monitor.
In addition, the dynamic range is great too. The high-resolution files provide seemingly endless editing flexibility, even in JPEG images.
The shutter speed is also pretty impressive – 1/16000 when using the electronic shutter.
Because of its smaller, lighter build, the Fujifilm GFX 50R is more portable than the standard medium format cameras and can be used for wedding, documentary and even street photography.
It’s also
weather-sealed , which further enforces Fujfilm’s desire for photographers to take this one out of the studio.
I could go on about the look and feel of the GFX 50R, but if you’re familiar with Fuji cameras it won’t surprise you that particular attention has been paid to everything from the composition of the operation dials to the clicking sensation and sound.
It’s a
beautiful camera to hold and work with, although the limited grip will make you nervous at times – particularly in cold weather when shooting with gloves.
Don’t expect the Fujifilm GFX 50R to function like an APS-C or full-frame camera. It’s very different, especially in terms of depth of field. The depth of field on a medium format is considerably shallower than APS-C or a 35mm full-frame, and it can take some practice getting everything in focus.
Also, don’t expect to be doing much video on this camera. Today’s medium format cameras still don’t have what it takes for being good at shooting video, and the Fuji GFX 50R is no exception. If you’re buying this camera, it’ll be for the exceptional stills it can create, not its video.
Another thing to keep in mind if you’re not used to medium format cameras is that the autofocus system on the GFX 50R is somewhat slower than what we’re used to on smaller frame cameras.
The GFX features incredible dynamic range | 45mm f/2.8 GR | 1/125 f/2.8 ISO100
There are also much fewer lens options out there for Fuji’s medium-format cameras, although the roadmap does promise some interesting options for the future.
That being said, if you’ve been wanting to try out a medium format camera and haven’t been able to afford one, the Fujifilm GFX 50R is really the best option out there.
It’s $1,000 less than the 50S and about $2,000 less than the Hasselbad X1D, its most direct competitor. Depending on which lens you buy, a GFX 50R setup can cost
half as much as a similar X1D kit.
This isn’t a camera for the casual photographer or for those needing fast autofocus or a super light camera. Instead, it’s for those that crave the super high resolution, stunning image quality, and the medium-format “look.” The GFX 50R will perform best in slow, deliberate environments like the studio or on a landscape photographer’s tripod.
It may look like a giant rangefinder, but this isn’t a camera you’ll be doing run and gun style street photography with, even though it’s definitely tempting!
If you want to elevate the look of your photos with a bit of the elusive medium-format-magic, this is a great place to start. It’s not “cheap” by any stretch, but its $5,500 price tag puts it far more in the reach of the enthusiast than ever before.
Who is the Fujifilm GFX 50R for?
The Fujifilm GFX 50R is for serious photographers looking for the exceptional image quality of a medium format camera.
It’s especially great for commercial fashion and advertising photography where every megapixel counts, but as the GFX 50R is impressively portable, it can also be taken off the tripod and used for wedding, portraiture, and even street photography – just don’t expect lightning-fast shooting performance.
If you told me that medium format digital cameras would be in the reach of non-professional photographers in 2022, I’d never have believed you. Fujifilm has made this possible.
Why You Should Buy If you’ve got the money, don’t even think about it. The Fujifilm GFX 50R offers the absolute best image quality out of a camera this size.
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10. Fujifilm GFX 100
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Size: 156.2mm (W) × 163.6mm (H) × 102.9mm (D) / 6.15in. (W) × 6.44in. (H) × 4.05in. (D)
Weight: 1,400g / 49.4oz.
Sensor: 43.8mm x 32.9mm Bayer
Megapixels: 102
Prós - Insane image quality
- Great handling
- Excellent price for a modern medium format digital camera
- Great customization ability
- Vedação contra intempéries
- Interchangeable EVF
Contras - Price of a new car
- Slow continuous shooting speed
- Massive body
- Poorly designed thumb rest
When you first see and pick up the Fujifilm GFX100 you are almost immediately intimidated by its size. With the appearance of a Fuji X-T4 with a battery grip, it still holds that true Fuji retro design.
This truly is a beast of a camera and for good reason, as it’s sporting a whopping 102-megapixel sensor.
At the end of 2016, Fujifilm came out with one of the first mirrorless medium-format cameras ever:the Fujifilm GFX 50S, which I reviewed here.
Before long the rumours of Fuji’s continued pursuit into medium format camera were circulating, that a 100-megapixel camera was on the way. This generated a lot of excitement amongst fashion and portrait photographers who were already enjoying the other GFX cameras and lenses.
Price-wise the GFX100 is by no means an impulse-buy kind of purchase. Coming in at the same price as a new, small compact car you really have to be serious about return on investment.
In terms of its size, this is around the size of a big pro-level DSLR, if not bigger. The GFX100 produces images with insane levels of detail thanks to its exceptional image capturing performance, all within a familiar Fuji retro body packed full of features.
Basically, this is a rare beast in the photography world and is the envy of every camera manufacturer that Fuji was able to bring to market such an incredible camera.
Thanks to the massive 102-megapixel sensor, far larger than a full-frame camera sensor, the GFX100 is producing exceptional image performance across all aspects including sharpness, colour science, low light performance and noise management like no other camera.
You will not believe your eyes when you see the quality of images either on a quality monitor or even printed out in the large format. Thanks to an exceptional range of Fujinon GF lense, you have the ability to achieve incredible fall off from the in-focus to out of focus elements.
In addition, the dynamic range is great too. The high-resolution files provide seemingly endless editing flexibility, even in JPEG images.
The GFX100 boasts an impressive shutter speed of 1/4000 in mechanical and 1/6000 in the electronic shutter.
Despite its size, the GFX100 is still a relatively portable camera and would perform exceptionally well in wedding and portrait photography. Thanks to its comprehensive weather sealing, you will not hesitate to get out and about with this camera to capture gorgeous images not just in the studio setting.
The build quality of this GFX camera is outstanding with a retro feel that in no way compromises ergonomics and handling. Due to its size, the GFX100 has a built-in handgrip that houses dual batteries and provides additional controls for portrait orientation shooting. Whilst a heavy beast of a camera, it’s still very easy to work with and the interchangeable EVF provides flexibility in how you operate the camera.
Control dials and buttons have been sensibly placed to ensure ease of use and familiarity of control and there are terminal ports for studio shooting or for videography built-in.
Whilst not the most practical camera for video, most medium-format cameras are ineffective at video, the GFX100 does shoot 4K at 30p which is pretty respectable.
When it comes to autofocus, the GFX100 has vastly improved over the previous GFX models as the hybrid autofocus system performs at a similar capacity to a Fuji mirrorless camera. Face and eye detect operate as expected and overall the focusing system is fast and sharp.
Thankfully, the Fujinon GFX lens range is growing with 7 primes and 3 zooms available, with more promised in the near future. There are also much fewer lens options out there for Fuji’s medium-format cameras, although the roadmap does promise some interesting options for the future.
When it comes to price, the GFX100 is up there with the best of them, although not nearly as expensive as some of those red-dot medium format cameras. And none of them has the capacity to create such high details images nor boast a 102-megapixel sensor.
Traditionally medium-format cameras have been developed for slower and more intentional shooting conditions such as being in a studio or setting up a cracker of a landscape shot. However, the GFX100 seems to break from the class with its faster autofocus and relative portability. There is no reason why you could not employ this camera for weddings, events or even dare I say street photography.
If you are looking at medium-format as a serious next step in your pro photography, the GFX100 is an incredible option to have as you will be creating images with world-class levels of detail and dynamic range.
But keep in mind that it is either this or a new car!
Who is the Fujifilm GFX100 for?
The Fujifilm GFX100 is a camera designed for serious photographers looking for the exceptional image quality from a medium format camera.
If you work in a commercial photography business that covers fashion, models and advertising, then having the capacity to capture such highly detailed images will set you apart from the rest with the GFX100.
And as mentioned, there is no reason why you cannot take this camera out and about for use in every setting and genre. Imagine being able to capture astrophotography with a 102-megapixel sensor?
Why You Should Buy Mind-blowing image quality in a robust body that’s not much bigger than a flagship DSLR. Insane detail allows for huge prints or extreme cropping.
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How to Edit Fujifilm Images
For some reason, not a lot of photographers know about a piece of software called Capture One Pro Fujifilm 12 – a powerful image editor that’s tailored for Fuji camera owners.
Aside from all the core features of Capture One Pro, this software also includes the ability to view/edit all the Fujifilm Film Simulations that you know and love.
In addition, all the Fujifilm colours and tones (whether RAW or JPEG) are reproduced more faithfully in Capture One Pro Fujifilm 12 than in Adobe Lightroom, for example.
There are a couple of ways to buy the software – one is a subscription plan, the other is to buy it outright. Fortunately, both versions are on sale at a 50% discount right now – check out our review of Capture One 12 for more information.
My Recommendations
If you want a short version of the reviews below, here are my suggestions of what Fujifilm X camera body to invest in:
Want the best all-round Fuji camera in 2022? Get the Fujifilm X-T4. It’s a real multi-purpose body, with a sensor and features to keep up with full-frame cameras.
What if you want the X-T4… but can’t afford it?! Get the Fujifilm X-T30 – amazing bang for the buck, and a baby version of its big brother. Most of the best features, for a lot less money.
Want a camera you can just grab and shoot with minimal fuss? Get the Fujifilm X100V. It’s what I use as an everyday walk-around, or when I’m travelling and want something compact. The new fixed lens is exquisite and offers welcome simplicity in a world of lens options.
Want the best Fuji camera for vlogging? While all the Fuji cameras offer great video recording, it’s the X-T200 that offers that all-important front-facing screen.
Want the absolute best image quality without sacrificing size? The Fujifilm GFX100 is the camera if you have deep pockets and a thirst for insane IQ.
Realistically though, investing in
any Fujifilm camera containing the legendary X-Trans sensor will set you up for a lifetime of great photography and a truly unique shooting experience.
Perguntas frequentes
Are Fujifilm Cameras good for photography? Fujifilm has created an impressive lineup of cameras that use the latest technology to deliver outstanding results. While the two giants of the camera scene – Nikon and Canon – still have legions of dedicated fans, many photographers have been making the switch to Fujifilm without regrets.
Is Fujifilm good for video? Yes – generally speaking, Fuji cameras offer excellent video recording capabilities. The Fujifilm X-T200 is a great one for YouTubers as it is light and also has a front-facing screen.
Which Fuji camera is best? The best Fuji camera for you will depend on your needs. For the best all-around Fujifilm camera, our top pick is the Fujifilm X-T4. For travel, we love the Fujifilm X100V. If you’re after a small and lightweight point-and-shoot, we’d go with the Fujifilm XF10.
Where are Fujifilm cameras made? The majority of Fujifilm cameras and lenses are made and manufactured in Japan.
Best Fuji Cameras | Palavras finais
This was an especially difficult guide to write. The fact of the matter is, every single Fuji camera on the market in 2022 could be a great choice for you.
The Fuji X series has cemented itself with its high quality, feature-packed, aesthetically pleasing, well-built, and above all, enjoyable to shoot a range of cameras.
Throw in Fujifilm’s years of experience creating some of the world’s finest film stocks, and you have a camera that can shoot in film emulation modes that would make any keen Instagrammer do cartwheels!
In this guide, I’ve selected what I believe are the 9 best Fujifilm cameras – the best bang for your buck,
despite the presence of newer models. Hopefully, by seeing them all laid out in this one guide, you’ll be able to make an educated decision on which Fuji camera should have pride of place in your bag.
Now get out there and start shooting;-)
