O fotojornalismo tornou-se muito popular porque as pessoas apreciam visuais em vez de palavras escritas.
Para se tornar um fotojornalista premiado, você precisa de duas coisas:suas habilidades de jornalismo e uma câmera de alta qualidade.
Peneirar as inúmeras marcas de câmeras no mercado não é fácil.
Para evitar ficar confuso, você precisa entender a tecnologia e os recursos mais recentes da câmera de fotojornalismo, que podem exigir muito tempo.
Você está com pouco tempo?
Não entrar em pânico; neste artigo, analisamos a melhor câmera para fotojornalismo que atinge o equilíbrio certo entre qualidade e preço.
Mergulhamos nos recursos de cada câmera em detalhes e mencionamos seus recursos essenciais, prós e contras.
Garantimos que você faça uma compra mais informada, fornecendo fatores que você deve considerar antes de comprar uma câmera de fotojornalismo.
Vamos mergulhar e analisar as melhores câmeras de fotojornalismo que você deve considerar comprar.
Melhores câmeras para fotojornalismo | Avaliações de produtos
Sony a9 II
A Sony revelou recentemente esta excelente câmara para fotojornalismo, que é fantástica.
Esta câmera é uma potência em velocidade, qualidade de imagem, foco automático, taxa de disparo, rastreamento e reconhecimento de assunto.
A Sony a9 II é a primeira câmera a ter um sensor CMOS empilhado full-frame com memória integrada no mundo.
Esta jóia pode tirar fotos em até 20 quadros por segundo constantemente sem apagão, tornando-a perfeita para fotojornalismo.
A câmera não tem blackout; ele tem um obturador eletrônico completamente silencioso, colocando-o em uma liga própria.
Dá-lhe a vantagem de fotografar silenciosamente sem que ninguém perceba ou alerte o assunto e o cumprimento do seu momento decisivo para fotografar, sem causar qualquer perturbação.
Furtividade completa!
Outro benefício desta câmera é a velocidade do obturador, que permite que você empurre dois pontos finais mais rápido, até 1/32.000 seg.
Mesmo nas condições mais ensolaradas, você pode fotografar com abertura total se for um usuário de lentes prime rápidas e amantes de bokeh.
A câmera possui uma bateria potente que pode durar até 480 fotos com visor e cerca de 650 imagens com monitor LCD.
Você pode usar o Sony a9 II para gravar vídeos de até 105 minutos com um visor e 120 minutos com um monitor LCD.
O Sony a9 II tem uma temperatura de operação entre 32 e 204 ℉ e 0 a 40 °C, o que é impressionante.
Ele vem em vários acessórios, como uma tampa de sapato acessório, adaptador CA, copo de ocular, cabo de alimentação e carregador de bateria BC-QZ1.
Além disso, ele vem com um cabo micro USB, protetor de cabo, tampa do corpo e alça de ombro.
A câmera que vem com todos esses acessórios economiza o esforço de comprá-los separadamente e alguns dólares.
Destaques do produto
- Wi-Fi de 5 GHz, Ethernet 1000BASE-T
- Slots duplos para cartão SD UHS-II, memorandos de voz
- Sensor CMOS Exmor RS de 24,2 MP
- Fotografia de até 20 fps, ISO 100-204800
- EVF Quad-VGA de 3,7 m pontos OLED sem blackout
- 3 polegadas 1,44 metros LCD com tela sensível ao toque inclinável
- Vídeo UHD 4K30p, AF ocular em tempo real
- Estabilização SteadyShot INSIDE de 5 eixos
- Processador de imagem BIONZ X e LSI front-end
- Fase de 693 pontos
Prós
- Vídeo 4K
- Captura sem blackout a 20 fps
- Transferência de arquivos com e sem fio
- Sistema de foco automático superlativo
- Proteção contra poeira e respingos
- Sensor de quadro completo de 24 MP
- IBIS de 5 eixos
Contras
- A bateria não é compatível com rivais SLR
- Nenhum perfil de vídeo S-Log incluído
- Não é possível alternar para vídeo ao limpar o buffer de imagem
Canon EOS R5
Com a redução da taxa de compra de câmeras nos últimos anos, muitas marcas estão criando diferentes maneiras de atrair clientes.
A Canon tem um único; jogue tudo na especificação e veja os clientes começarem a transmitir.
Essa é geralmente a ideia por trás da EOS R5.
A EOS R5 é mirrorless com todos os recursos que um fotojornalista exige.
Ele possui um sensor full-frame de 45 megapixels e pode capturar vídeos em 4K e 8K, tornando-o uma excelente opção, independentemente do que você pretende gravar; retratos, esportes ou casamentos.
Se você gosta de fotografar assuntos em movimento em ritmo acelerado, esta câmera é para você.
Possui modo de disparo contínuo de 12 quadros por segundo que aumenta para 20fps se você usar a versão do obturador eletrônico.
Isso é realmente muito rápido, o que garante que nada dê errado.
A Canon EOS R5 possui um excelente sistema de estabilização no corpo que é bom para até oito paradas; esta é uma quantidade enorme de assistência anti-handshake.
Destaques do produto
- Qualidade de vídeo de 8K e opção de vídeo bruto
- 100% de cobertura do sistema Dual Pixel II AF com detecção humana e animal treinada por aprendizado de máquina
- EVF OLED de 5,76 milhões de pontos com taxa de atualização máxima de 120 fps
- 12 fps / rajadas de 20 fps
- Tela sensível ao toque totalmente articulada
- 1x slot de slot CFexpress
- Sensor CMOS Dual Pixel de quadro inteiro de 45 MP
- Fotos HDR de 10 bits no formato HEIF
- Reivindicação de vedação contra intempéries para os níveis da EOS 5D Mark IV
Prós
- Modos de foco automático supremos – o rastreamento para humanos/animais é impressionante
- Imagens super detalhadas de 45 megapixels
- Explosão mecânica de 12 fps
- A estabilização de imagem no corpo é excelente
Contras
- Fácil de mover o ponto de foco por toque acidental na tela
- Superaquece em modos de vídeo de última geração, o que limita o tempo de gravação na câmera
Canon EOS 5D Mark IV
A Canon continuou seu legado de produzir câmeras de qualidade com o lançamento da 5D Mark IV.
Vamos começar com a lente 24-105mm f/4L II, tornando-a uma fantástica escolha de fotografia e gadget de vídeo 4K.
A partir do momento em que você pega esta câmera, você notará a fixação satisfatória que ela oferece.
Os engenheiros da Canon reduziram o peso da 5D Mark IV em 60g em comparação com a versão anterior, Mark III.
A câmera possui um botão personalizável logo abaixo do joypad, que você pode usar para executar várias funções com o disco de comando frontal.
Por exemplo, você pode configurá-lo para controlar o ISO e alternar a sensibilidade sem tirar os olhos do visor.
A sensibilidade do sistema AF é de -3EV (-4EV em Live View), mais escura que a luz da lua. Portanto, você não pode ter desafios ao focar com pouca luz com esta câmera.
Esta câmera é perfeita para fotografia de vida selvagem e esportes devido à sua combinação de teleconversor/lente com uma abertura máxima de f/8.
A tela traseira tem uma resolução impressionante, tornando-a uma das telas mais nítidas do mundo do fotojornalismo.
Também torna a composição de fotos fácil e extremamente direta, sem ruído de sinal perceptível.
A 5D Mark IV possui portas de fone de ouvido, portas de microfone externo, terminais USB 3.0 e HDMI Mini que são essenciais para todo fotojornalista.
Ele também possui conectividade NFC e Wi-Fi, facilitando a transferência de imagens para um dispositivo compatível - e isso sem esquecer a unidade GPS integrada para marcação de localização.
Destaques do produto
- Sensor CMOS de 36 x 24 mm e 30,4 MP
- Bateria de íon de lítio recarregável LP-E6N
- Intervalo ISO de 100 a 32.000
- Conversão de distância focal de quadro completo
- Pentaprisma óptico com aprox. 100% de cobertura
- Velocidade do obturador de 30-1/8.000 seg mais Lâmpada
- peso de 890g
- Resolução de vídeo 4K a 30 fps
- Taxa de intermitência máxima de 7 fps
Prós
- Construção e manuseio sólidos
- Dual Pixel CMOS AF para visualização ao vivo e vídeo
- Sensor de 30MP tornando-o muito melhor do que seus rivais de 24MP
Contras
- O corte de 1,64x do sensor dificulta a obtenção de fotos em grande angular
- Tela traseira fixa
- Resolução e taxa de quadros intermediárias
- Corte pesado de 1,64x para vídeo 4K
Nikon D5 DSLR
Se você é um fotojornalista que precisa de confiabilidade, desempenho e versatilidade em uma câmera, este é o gadget a ser adquirido.
Possui um processador de cinco imagens e um AE/AF de 12 fps, permitindo que você tenha 200 fotos impressionantes.
Além disso, permitirá gravar vídeos 4K de alta resolução a 30fps.
A Nikon D5 DSLR tem uma faixa ISO que pode ser estendida para 3280000 ISO, proporcionando excelente desempenho com pouca luz.
Portanto, independentemente de sua localização; sala de conferência de imprensa com pouca luz ou uma noite escura ao ar livre, espere imagens de qualidade com esta câmera.
Outra coisa que destaca esta câmera é seu recurso de fidelidade de cores que aprimora a qualidade da foto e do vídeo, tornando-a perfeita para fotografia documental.
Destaques do produto
- Fator de forma DSLR
- Sensor CMOS Formato FX de 20,8 MP
- Recurso de lapso de tempo
- Auto white balance
- ISO 102400; can expand to 3280000
- 12 fps continuous 200 shoots
Prós
- Excelente desempenho com pouca luz
- 4K Video And HDMI Output
- Convenient touchscreen monitor
- Faster continuous shooting
- 153-Point Autofocus System
- UHD video recording
- Better picture quality
- Extended ISO range
Contras
Nikon D850 FX
If you want thrilling new capabilities to take excellent shots, Nikon D850 is perfect.
It has a speed of 9 fps which is relatively high but perfect for a photojournalist.
It has a superior AF system that gives it performance stability; hence you can consistently take masterful quality images.
With a resolution of 45.7 megapixels, this camera will give you excellent quality videos and images for photojournalism.
This camera has slow-motion 1080p video recording at 120 frames per second speed.
This camera is pretty easy to use thanks to its tilting touchscreen and battery that lasts for long hours.
For extra photo sharpness when using this camera, have a Fisheye lens mounted.
Product highlights
- SLR form factor
- Sensor de quadro completo
- Video resolution:1080p
- Auto white balance
- ISO 64; expandable to 32
- Nine fps continuous shooting
- Max resolution:47 MP
Prós
- Sensor de quadro completo
- Good for journalists
- Greater dynamic range
- It comes with a flipping touchscreen
- Faster image processing
- Autofocus and white balance
- Vibrant image quality
Contras
- It might be a little bit pricey for beginners.
Fujifilm X-T3
Fujifilm’s new fantastic innovation, the X-T3 mirrorless digital camera, is just what you need to take your photojournalism career to the next level.
One spectacular aspect of this camera is its body, made of durable magnesium alloy. Therefore, you can use it outdoors regardless of the weather conditions.
FUJIFILM X-T3 has a 30 fps continuous shooting speed, applicable when taking moving car photos or creating wildlife documentaries.
It has an X-processor CMOS 4 sensor, a back-illuminated sensor that improves image quality. This feature allows excellent picture quality without an optical low-pass filter.
The camera has an ISO of 160, allowing you to take sharp images almost with zero effort.
Since its AF system can track subjects in motion, it has an ISO range of 12800, perfect for noise reduction.
The NR process helps to reduce it further through differential data.
Product highlights
- 4K video recording
- Mirrorless
- HDMI output
- Auto white balance
- X trans CMOS 4 (26.1MP)
- 11 fps continuous shooting
- Noise-reducing ISO 12800
Prós
- Interchangeable lens type
- Back-illuminated sensor
- Enhanced ISO performance
- Blackout-free continuous shooting
- Tilting touch screen panel
- Internal SD card for storage
- Better color depth
Contras
- A little bit pricey for beginners
Pentax K-1
You want to capture every moment and detail as a photojournalist, and Pentax K-1 allows you to do exactly that.
Your high-quality, low-light performance, precise AF system, superior white balance, and powerful image processor are what you need to stand out.
This camera is engineered using a highly effective full-frame CMOS sensor (36.4 MP); a feature allows you to take excellent quality and high-resolution photojournalism pictures.
It has an ISO sensitivity range that you can expand up to 204800 for better noise reduction.
This improved processing capability lifts low light performance to a satisfactory level.
The full-frame sensor also helps to resist noise at its best.
Regardless of your environment’s lighting conditions, trust its PRIME IV Processor to bring out stunning quality photos.
The Pentax K-1 is one of the easiest to use photojournalism cameras because its functionalities are not so complicated.
Additionally, its body is of excellent quality, allowing you to use it in the rigors of working in harsh weather conditions.
Product highlights
- SLR
- Wireless connectivity
- Cross tilt LCD
- Auto white balance
- 36.4MP CMOS Sensor
- Weight:2.22 pounds
- LED illuminated body points
Prós
- Weather-resistant construction
- Compact and balanced weight
- Convenient LCD screen
- Flexible Wi-Fi connectivity
- Enhanced ISO performance
- Daylight and cloud balance
- It has an excellent noise reduction algorithm
Contras
- Video resolution is standard but not high.
Canon EOS R6
This camera’s expanded ISO and enhanced AF performance make it stand out in the photojournalism field.
It comes with two shutter options allowing you to shoot continuously at a faster rate.
It has a silent electronic shutter with about 20 frames per second, whereas the mechanical shutter shoots at 12 fps.
Canon EOS R6 has a potent DIGIC X image processor and an ISO range of 100 – 102400, which you can expand further to 204800.
It also has deep learning technology that quickly detects heads, eyes, bodies, or faces, making it easy to capture moving objects.
Canon EOS R6 has a 20MP full-frame sensor that makes it possible to capture high-quality images. You can cover almost 100% area with the dual pixel CMOS AF.
In addition, it has ultra-high-definition video recording capability at 2160p.
It has a tilting screen that allows you to capture images from all angles. Its buttons are well-made and feature an easy-to-use finger positioning while you’re shooting.
Product highlights
- Telephoto lenses
- Mirrorless
- 20 fps continuous shooting
- Auto white balance
- Cont. shooting:12 fps (Mechanical Shutter)
- DIGIC X Image Processor
- Cont. shooting:20 fps (Electronic Shutter)
- Full-frame CMOS (20MP)
Prós
- Incredibly faster shooting
- UHD quality video recording
- Expanded ISO range
- Better AF coverage
- Two shutter options
Contras
- It Lacks a Top LCD Screen
- Limited video recording options
Nikon D4s DSLR
With its image quality and specifically noise performance, Nikon D4s DSLR produces excellent results right up to ISO25600 and ISO51200, the highest ISO setting of any Digital SLR available.
The Nikon D4s DSLR has reliable exposure, detail, excellent color, low noise, incredible dynamic range, and highly continuous shooting and rapid focusing.
With this camera, you can shoot high-speed photos at 199 shots at 9.9fps without slowing down when shooting JPEG.
This speed makes it perfect for wildlife and sports photojournalism.
The body of this camera is awe-inspiring with a magnesium weather-sealed material.
This makes it an excellent value for money as it can withstand any weather condition hence lasting long.
Additionally, it has a two-year warranty; therefore, you can return it to your supplier in case of any issue.
Key features
- 16.2 megapixel FX Full Frame Sensor (Revamped)
- ISO10025600, expandable to ISO50-409,600
- 11fps continuous shooting with AF/AE
- 3.2inch 921k dot screen, improved color range
- Slow-motion 60/50fps in 720p
- Full HD Video, 60p, 50p, 30/25/24fps
- AF with tele-convertor up to f/8
- Uncompressed HDMI output
- Illuminated buttons, back, side, and top LCDs
- Gigabit 100/1000TX Ethernet – with FTP/HTTP support for instant uploads
- XQD and Compact Flash Slots
- IPTC can be added in-camera, GPS GP-1 compatible to update time from GPS signal
- Active D-Lighting, HDR, Picture Control, variety of retouch menus
- Kevlar/carbon fiber-composite shutter unit rated for 400,000 shots
- Spot White Balance metering
- Dual-axis electronic virtual horizon, also visible in the viewfinder
- Create time-lapse videos in the camera
- Updated AF system, 51 AF points, focus and take pictures in moonlight (-2EV)
Prós
- Auto shutter speed control for auto ISO (based on the lens)
- 11fps continuous shooting speed with AF/AE
- Melhor duração da bateria
- Excellent 3.2-inch screen
- Excellent weather-sealed build
- Excellent noise performance and expanded range
- Deep buffer
- 400,000 shot shutter rating
- Color adjustable monitor
- 60p and 50p video recording
- Two-year warranty
Contras
- Loud shutter
- It doesn’t include capture NX2
Camera For Photojournalism:Buying Guide
Buying a photojournalism camera is exciting, and you’ll naturally have a lot of emotions regarding the process.
However, choosing a camera that meets all your needs can be overwhelming, especially with thousands of choices available in the market.
A photojournalism camera is a long-term investment; therefore, you should take your time and decide on the one that will serve you best.
Below are some of the essential aspects you should consider when buying a photojournalism camera:
Image Sensors
In photojournalism, quality is everything and image sensors help you attain it.
They convert color and light spectrum into electrical signals then the camera converts them into ones and zeros enabling you to capture all excellent moments.
For photojournalism 35mm full-frame sensor is perfect if you want the highest-quality images.
Zooming Abilities
As a photojournalist, you may need to make videos and capture images from a distance.
Though some cameras may have fixed focal length lenses, which greatly enhance the quality of images, they are not enough for photojournalism.
Get a camera with a decent zoom ability of not less than 10x optical zoom, but 50x optical zoom would be much better.
If you plan to do professional wildlife photography, aim for the highest zoom ability as it requires a high degree of detail in taking images.
Ease Of Use
As a photojournalist, you will have projects that require you to be extremely fast in taking images.
At times, things will happen within seconds, and you need a camera that can capture those moments extremely fast.
Choose an easy-to-use camera so that you don’t miss out on critical moments that are essential in elevating your career.
Size &Weight
You carry your camera almost everywhere as a photojournalist, even in unexpected places.
Therefore a heavy camera with numerous lenses may not be proper for you.
It would be best if you got a camera that has a lightweight and compact size which you can easily carry everywhere.
Resistance
The world of photojournalism is very unpredictable; one time, you’ll find yourself shooting in the rain, another in snow or even wind or sun.
It’s therefore advisable to get a camera that can withstand all weather conditions. Get one that is water, heat, freeze, heat, and dust resistant to avoid getting frustrated.
Low-Light Performance
Though it may sound irrelevant, it’s essential to consider the low-light performance of a camera before investing in it.
As a photojournalist, you’ll shoot in low-light areas like conference halls.
If your camera doesn’t have excellent low light performance, you will end up with low-quality images.
Before purchasing your camera, check its low-light performance with and without a flashlight.
The low-light performance of a camera is signified by its ISO; the higher the number, the less light you will need and better the quality of images and videos under low light.
Manual Control
Manual control is essential in photography as it allows you to control aperture and shutter speed, allowing you to take great shots.
If you buy a mirrorless or DSLR camera, you don’t have to check for manual control as their system is relatively automatic.
However, if you choose to get a bridge or point-and-shoot camera, ensure that you check whether it has manual control.
Preço
Before investing in a camera, consider the cost and ensure that it doesn’t exceed your budget.
Unlike what most people assume, an expensive camera doesn’t necessarily mean excellent quality.
At times, a camera may be costly but lack basic specs, which are critical in photojournalism.
Check its specs before buying your camera and compare it against your work and budget.
Resolution (megapixels)
Today, numerous cameras have high-megapixels of about 45 and even 80 and above. There are two advantages of these megapixels:cropping latitude and big prints.
With a 61 MP camera, you will produce gigantic prints with tons of detail, and you will also be able to crop in on your subject for a magnified view.
Though a camera with high megapixels may serve you well, it has drawbacks.
First, high megapixels typically reduce high-ISO capabilities leading to noisy, low-quality images in low light.
Additionally, high resolution means large file sizes; this causes your memory card to fill up quickly.
When it comes to megapixels, it’s important that you consider your priorities which depend on the shoots you are making.
If you require high resolution images, ensure that you have enough storage.
Durability
If you plan to shoot photos to take videos outdoors, you should buy a weather sealed camera. Your camera will withstand rain, heat, and wind, making it last longer.
Speed
If you are a photojournalist who requires photography action – wildlife or sports- you need a camera with high continuous shooting speeds.
Look into cameras that feature complex tracking algorithms like an animal or human eye AF. Additionally, you can look into 10+ frames per second and 50+ frames buffer.
Photojournalism Camera Equipment
As a photojournalist, you ought to have a quality camera at the very least.
However, there are certain specifics that you should be part of your camera equipment kit if you want next-level photography. They include:
Lenses
Lenses are essential in creating stunning images as they ensure that the light reaches your camera sensor leading to quality images.
Regardless of the quality of your camera, the wrong lenses can lead to poor-quality photos and videos.
If your camera allows for interchangeable lenses, research the ranges of lenses available and choose based on the kind of shots you would like to take.
Wide-angle lenses will give you a more extensive field of view for Astro and landscapes and Astro.
Telephoto lenses allow you to zoom in on far-away subjects like athletes and birds.
Tripod
A tripod is especially critical if you’re interested in landscape photography or astrophotography.
When using a tripod, the camera stays still during exposures.
Using a tripod allows for lower ISO sensitivity and longer shutter speeds lowering sharp exposures and leading to minimal image noise.
A memory card
As a photojournalist, you’ll have a lot of data that needs storage and transfer to your computer; that’s where a memory card comes in handy.
Get a memory card that can hold plenty of photos — ideally over 1000 photos, if not more. Find a memory card of at least 16 GB, ideally, one that has 32 GB, 64 GB, or more.
A memory card is also essential in boosting your camera’s speed, which is critical in photojournalism.
Fast memory cards minimize your camera’s “buffering” time, helping you take more shots within a short time.
Cleaning kit
As a photojournalist, you want images of the highest quality.
It’s therefore essential to avoid minor smudges on your camera as they can distort details and get in the way of a photo’s overall quality.
To maintain your camera’s filters and lenses, get a cleaning kit with cleaning spray and a microfiber cloth.
Additionally, there are other alternatives, such as wet and dry cleaning products.
Perguntas frequentes
What brand of camera do most professional photographers use?
Most professional photographers use Nikon DSLRs or high-end Canon like EOS 5D Mark IV cameras.
However, there are many excellent choices depending on the professional results you want.
How many megapixels do professional photojournalist cameras have?
Professional photojournalists cameras have more than 20 megapixels.
Nonetheless, some admit that 12-megapixel digital cameras serve them perfectly as they provide clear digital pictures which they can print in every size.
What is the most important thing to look for when buying a camera?
The most important thing to look for when buying a camera is file size or MegaPixel (MP).
The higher the MP, the sharper the photo will look, and the larger you can print.
What is the focal length of photojournalism?
The focal length of photojournalism is 35mm.
However, it can be lower or higher depending on the quality you expect and the kind of project you want to work on.
What is the best lens for documentary photography?
The best lens for documentary photography is 50mm.
It provides excellent captions for outdoor and indoor photography without optical distortion.
Considerações finais
There you have it! Ten best cameras that you ought to invest in as a photojournalist.
Each of them is packed with photographic tech to help you take excellent images.
We and other camera enthusiasts have extensively tested each camera and they have all proved to be top performers within the boundaries of what it’s supposed to do.
It’s important to note that the best photojournalism camera depends on what you intend to shoot.
If you are focusing on fashion or beauty, you want a camera with a high resolution so you can crop in and print images on a large scale.
If you are focusing on news and sports, consider the tracking capability, burst rate, and weather sealing of your camera.
If you’re a beginner in the photojournalism field, you may want to get something less intimidating, like an entry-level DSLR that can help guide you through camera filters and settings.
Alternatively, you can purchase one of the cameras discussed above.
After this, take the time to read the manual and reviews for excellent quality images which will take your photojournalism career to the next level.
