A maioria das pessoas estará familiarizada com câmeras DSLR. Eles têm sido um padrão da indústria por muitos anos, mas talvez alguns não estejam tão familiarizados com a versão de vídeo. Eles viraram a filmagem de cabeça para baixo quando se tornaram uma ameaça e, aos olhos de alguns, superaram o que é possível com uma filmadora.
A gravação total de vídeo em alta definição em 720p ou 1080p deixa uma camcorder muito atrás em qualidade.
Se você está gravando um blog de vídeo, algo para o Youtube ou talvez seja ainda mais aventureiro, se você estiver produzindo visuais de ótima qualidade, há outra coisa que você precisará – áudio de ótima qualidade.
Isso significa um microfone ou dispositivo de gravação de áudio de ótima qualidade. A maioria desses microfones será o que eles chamam de 'microfones Shotgun'. Eles são unidirecionais, e para obter os melhores resultados precisam ser apontados para a fonte sonora.
Eles não devem ser confundidos com 'microfones boom', onde boom é apenas o nome dado ao suporte do microfone.
Então, vamos dar uma olhada nos melhores microfones para câmeras de vídeo DSLR…
Os 10 melhores microfones para análises de câmeras de vídeo DSLR 2022
- Microfone direcional compacto Rode VideoMicPro na câmera
- Microfone condensador montado em câmera Shure VP83F LensHopper
- Microfone direcional Canon DM-E1
- Microfone de vídeo supercardióide Saramonic Recorder VMIC
- Microfone dinâmico Audio-Technica AT8004
- Microfone Shotgun Sennheiser MKE 400
- Microfone X-Y estéreo Tascam TM-2X para câmeras DSLR
- Microfone de mão omnidirecional Shure VP64A
- Cápsula de microfone de espingarda estéreo SSH-6 Zoom
- Microfone Condensador Estéreo de Alto Desempenho (SMX-10) da Azden
1 Microfone direcional compacto Rode VideoMicPro na câmera
Rode sabe uma coisa ou duas sobre a produção de ótimos microfones; vamos ver o que eles têm com o VideoMicPro.
O VideoMicPro é um microfone projetado para uso com câmeras DSLR. Também funcionará com filmadoras. Apresentando um microfone condensador de cápsula que oferece excelentes resultados com baixas taxas de ruído próprio. E produzirá áudio com qualidade de transmissão. Ele se conecta à câmera através de um conector de 3,5 mm.
Sem ruído de fundo…
Seu design supercardióide significa que qualquer ruído ao redor é reduzido ao mínimo e o microfone se concentra em receber o som do assunto. Qualquer ruído ou estrondo em potencial é reduzido pela montagem antichoque integrada para garantir que seus resultados sejam os mais limpos possível.
Ele é construído para ser compacto e leve para torná-lo fácil e confortável de usar e é alimentado por uma bateria de 9v que deve fornecer cerca de 70 horas de uso.
Para reduzir os ruídos externos nas proximidades, está equipado com um pára-brisas integrado em espuma.
E as especificações?
As instalações de gravação incluem um filtro passa-altas de duas etapas e um controle de nível de três posições. Eles estão localizados na parte traseira do microfone para fácil controle quando em uso.
As configurações de nível aumentarão os níveis conforme necessário. A atenuação de -10dB para sons altos como bateria e o aumento de +20dB projetado exclusivamente para câmeras DSLR. Isso permite que você reduza o nível de entrada, o que, na verdade, também reduz quaisquer sons indesejados ao redor.
É um microfone decente que produz áudio de boa qualidade. Ele funcionará melhor quando você estiver perto da fonte, em vez de trabalhar à distância, quando pode ser um pouco difícil.
Prós
- Fácil de usar.
- Áudio de boa qualidade.
- Longa duração da bateria.
Contras
- Para o som primário, você terá que estar perto do assunto.
2 Microfone condensador montado em câmera LensHopper Shure VP83F
A Shure sabe uma coisa ou duas sobre a produção de microfones de qualidade. Acho que todos estamos bem cientes disso, então não estou exatamente certo por que fiz a declaração. Talvez no caso, alguém apareceu de fora da Galáxia.
O VP83F Lenshopper é um microfone shotgun que possui um condensador montado na câmera que fornecerá gravações de áudio de qualidade. Ele foi projetado especificamente para funcionar com câmeras DSLR, mas também funcionará com filmadoras.
Sem ruídos indesejados…
Seu design de padrão polar é altamente direcional e reduzirá a quantidade de ruído indesejado. Enquanto o áudio é gravado em cartões MicroSDHC que suportam até 32 GB. Estes são arquivos WAV em 24 bits/48kHz.
E para garantir que quaisquer vibrações ou ruídos operacionais da câmera sejam reduzidos ao mínimo, um sistema de choque Rycote Lyre é usado.
Ele aborda os problemas de gravação do alvo em uma variedade de ambientes diferentes por ter uma faixa de ganho de 60Db e também um filtro de corte baixo. O ganho é ajustável em configurações de 1dB para fornecer controle absoluto.
Construído para durar…
Com características de design típicas que tornam seus produtos construídos para durar, o VP83F tem uma construção metálica, mas ainda é leve. A entrada de áudio é feita através de um cabo destacável de 3,5 mm e há uma saída de fone de ouvido estéreo para monitorar o áudio.
O vento e outros ruídos externos são reduzidos por um pára-brisas de espuma. Mas em condições de vento, pode precisar de um protetor de vento, mas a maioria precisará.
Claro e fácil de usar…
Um ótimo recurso desta câmera é a tela LCD retroiluminada para o menu de operações, que é clara, totalmente inclusiva e torna a unidade fácil de usar. Esta facilidade de uso é auxiliada pela operação de gravação de um botão.
Duas pilhas alcalinas AA proporcionam aproximadamente dez horas de duração de gravação.
Não será o mais barato que você encontrará, mas você está comprando o know-how e a qualidade da Shure.
Prós
- Construção sólida e robusta.
- Tela LCD retroiluminada clara.
- Fácil de usar.
Contras
3 Microfone Direcional Canon DM-E1
A Canon é uma das líderes de mercado em câmeras e produtos associados, mas talvez não seja tão conhecida pela reprodução de áudio.
Então, vamos ver o que eles têm para oferecer…
O DM-E1 é um microfone para sua câmera, mas oferece algumas opções extras. Normalmente, essas câmeras são câmeras Shotgun, e isso tem uma configuração dedicada para cumprir o tipo de operação 'apontar direto para o alvo', mas vai um pouco mais longe.
Com o DM-E1 você tem mais controle sobre a direção, bem como configurações estéreo comutáveis de 90 graus e 120 graus. São boas ideias e adicionam uma opção extra ao potencial de filmagem e som.
Abrange todos os graus…
A configuração de 90 graus pode ser usada para um único alvo, mas também incluirá algum conteúdo periférico, permitindo incluir grupos no tiro e no som. O grau 120, é claro, lhe dará um campo mais amplo para trabalhar e pode ser adequado para filmar o que está acontecendo em um palco.
Ele foi projetado para ser usado com a maioria das câmeras com um soquete de 3,5 mm que possui um modo de filme dedicado. And has a frequency response range of 50 Hz to 16kHz.
No vibrations…
Built in is a windscreen that will assist in reducing any unwanted external sounds from wind, and the standard shock mount is is included to reduce any camera vibration or associated noises.
Plus, this best Microphone for DSLR Video Camera doesn’t drain the battery resources of the camera and runs of its own button type lithium cell battery. A battery status light is featured on the camera body.
Pros
- Shotgun plus further options.
- Degree settings for wider stereo fields.
- Produces reasonable audio.
Contras
- Battery life indicator does not present an actual constant status.
4 Saramonic VMIC Recorder Super-Cardioid Video Microphone
The Saramonic VMic is a robust shotgun microphone that is well made and can be described as a premium microphone. That does not mean to say it is poorly made or that it performs badly. Saramonic has produced a mic that is designed to deliver a good quality product at an affordable price.
It is made with a metal construction to withstand the potential rigors of video production and cane work with DSLR’s, video cameras and the best portable audio recorders. It also possesses a stable shock mount system to remove any accidental or unwanted camera noise.
Hear exactly what is being recorded…
A good feature on the VMic is a built-in headphone output. This can be important as some cameras do not have a headphone jack and therefore you could not hear the sound recording as it is happening.
The controls are basic and easy to use. If your camera is a little noisy, the +20dB boost provided will allow you to reduce the volume on the preamp of the camera to let you produce a clean sound. While the -10dB setting allows you to record in loud environments, live groups, or stage shows, for example.
It records to a micro SDHC card at 16-bit, 48kHz.
Get that tone…
Further tonal control settings include a low-cut control that will rid you of unwanted low frequencies and a boost for high frequencies that will clarify the sharpness of the recording. It includes an LCD display which allows you to view and control the settings through a menu system.
It produces a good quality sound. Maybe not the best you will find, and it doesn’t possess some of the features that other more expensive microphones have, but for the cost, it is very good value.
Considering Saramonic have designed and manufactured a premium microphone for your DSLR there are a lot of features built in and with its rugged construction it represents a good buy.
Pros
- Good features and sound options.
- Built-in Headphone output.
- Cost effective price.
Contras
- Slightly limited when it comes to sound management options.
5 Audio-Technica Dynamic Microphone AT8004
Audio-Technica is well-known for producing quality microphones at cost effective prices.
The first thing that is evident with this mic is that it is built to be used. It has a tough housing with a steel grille that has been hardened to withstand impact.
Real world sounds…
It is a dynamic mic and has a polar pattern, and its omnidirectional range means that some surround sound will be included. This is a negative aspect for some but for others, it is required for the ambiance of the project.
It could also be useful when working with people who may not be used to being interviewed and who turn the heads and body without realizing. When they do, the speech will still be collected by this mic. It also carries a shock mounting system that reduces handling noises.
The voice is reproduced naturally through the transparency of audio reproduction.
Get that exclusive interview…
Clearly, from its design, it is built with certain functions in mind and is likely to be handheld. It is therefore ideal for in the field interviews at sports events or other outside activity.
It probably isn’t the kind of mic you would use to capture wider noise like crowds at sporting events as the primary function, and the individual target probably needs to be within a range of about 3 feet for best results.
Being omnidirectional it will pick up other sounds, but it is still most effective in interview-type mode with the other sounds just adding a little ambiance. The sound is good and clear, and it produces good results.
It uses an XLR connector and therefore will not connect directly to a DSLR, but adapters are available.
For the cash outlay a very good mic for the purpose it was designed for.
Pros
- Well built and rugged.
- Great for adding a little ambiance.
- Good value for money
Contras
- Might be limited in activity range for some.
- You may not want any ambiance, only the source signal.
6 Sennheiser MKE 400 Shotgun Microphone
Sennheiser has tried to design a sound solution that will satisfy the run of the mill handheld video camera and also work with larger models. It is, therefore, a solution to producing high-quality audio on consumer products and even to a professional level.
It is made with a metal frame that is obviously designed for being able to handle plenty of activity, but when it’s in the hand, it doesn’t feel that strong. This might be unfair on this mic. It is quite small and very light, and it may be that the lack of weight and substance creates the feeling of a lack of stability.
Sennheiser is not known for building sub-standard equipment, so the size and weight are possibly the reason.
Low cut the wind away…
It has a shock mount system to protect against handling and any vibration noises. It also has a low cut filter switch that will cut out light wind noise, though, if you will be working in high wind environments a muff will be needed as with all mics.
There is a switchable control for sensitivity that allows you to reproduce a quality sound over either long or short distances. While a single AAA alkaline battery will deliver a staggering three hundred hours of use.
Quality at a great price…
It produces good quality audio, is small and easy to use and comes in at not too expensive a price. It isn’t the cheapest, but you will be getting Sennheiser quality.
Made in Germany.
Pros
- Good audio reproduction.
- 300 Hours of battery life.
- Lightweight and easy to use.
Contras
7 Tascam TM-2X Stereo X-Y Microphone For DSLR Cameras
The TM-2X is a microphone that will record stereo audio to the input on your DSLR camera. And Tascam has made the setup as easy as possible, and it only requires you to connect the chord to the input jack on the camera. And no batteries are required as it takes its power from the camera.
A great feature of this microphone is that it fits directly on to your DSLR, but then it can swivel around up to 180 degrees. This will allow you to rotate the microphone only to capture sounds either to the side or behind what is being filmed. It also has a fitting to be attached to a tripod if required.
And to make sure it will operate with most brands of camera there is an input sensitivity switch.
No windy recordings…
Tascam have taken particular care in their design to try and alleviate the problems of external noise. Cameras are quite often used outside in any number of environments and are subject to the elements.
They have installed a switchable low-cut filter to eradicate unwanted noise from low frequencies, and a fur windscreen will attend to wind and any other unwanted naturally occurring noises.
There is also a noise isolation arm that is designed to prevent noise being picked up from the camera’s lens or other operational activity. This is aided by a floating support structure underneath the mic.
As with all things Tascam, this best Microphones for DSLR Video Camera is made to a high standard.
Pros
- Good noise isolation options.
- The mic will swivel round through 180 degrees.
Contras
- Has a few plastic parts and needs handling care.
8 Shure VP64A Omnidirectional Handheld Microphone
Of course, there would be a Shure. Where there are microphones working you will find a Shure doing its job, usually to a very high standard. The VP64A is designed for audio and video production at a high level. It is a handheld omnidirectional dynamic microphone that has a high output.
Built to deliver high performance…
The cartridge utilizes a neodymium magnet that delivers a higher output and better signal to noise ratio.
It is protected by a rubber isolation mount to reduce any handling noise and to make it tough and sturdy. Tough and rugged mic’s are what Shure do, of course. There will be some handling noise, you cannot avoid that, but it is kept to an absolute minimum and isn’t noticeable with good mic handling.
There is a windscreen supplied to protect against the wind in outside use, and it has a water-resistant mesh cover that allows it to be used in inclement weather.
Quality and clear speech reproduction…
The frequency responses are designed to produce quality and clear speech reproduction. And the positioning of the mic is variable due to omnidirectional polar pattern design, which makes the location less critical.
And because Shure expects this best Microphone for DSLR Video Camera to be used in live situations, they have made it look understated and professional in its appearance.
Great sounding and built to last…
The reproduced sound is excellent as you might expect from Shure and the build quality good and long-lasting.
It is not a shotgun mic and therefore picks up an amount of surround sound but also helps to assist in interviews with inexperienced people who might ‘wander.’
It uses an XLR connector and therefore will not connect directly to a DSLR.
The price tag is not expensive at all.
Pros
- Shure build quality.
- Good reproduction.
Contras
- Does not connect directly to a DSLR.
9 Zoom SSH-6 Stereo Shotgun Microphone Capsule
Something a little different with the Zoom SSH-6. The company has designed a Shotgun microphone that has a multidirectional range for picking up sound not only from the direct source but also from left and right.
More about that soon…
It has specifically been designed to work with their H5, H6, Q8, and U44 audio recorders. And has all the qualities to record professionally sounding voice reproductions.
Zoom has been very clever with this design. The capsule has a multidirectional mic for picking up sound from the center target as per a Shotgun microphone. It can though utilize its onboard bidirectional mic for collecting sound from either right or left of the target.
What will this do?
It will produce a fully mono-compatible stereo result that can be used in TV projects, film or video. You are therefore able to record the target with the center mic and then build around it the sounds captured by the side mics. The reproduced sound is very crisp and clear, but with very little bottom end.
It is well-built, mostly of metal with just a few plastic connection fittings, so it is built to withstand the rigors of outside recording. And it includes a hairy windscreen to reduce wind and associated environmental noise.
At the price, it is good value with options other mic’s do not enjoy.
One thing to consider is that this mic will only work with certain Zoom devices.
Pros
- Allows mono center and multidirectional recording.
- Rugged build.
Contras
- Will only operate with certain Zoom products.
10 Azden High-performance (SMX-10) Stereo Condenser Microphone
The SMX-10 is a condenser microphone that has been built for use with standard video cameras. It is a directional stereo mic that gives a good stereo placement and sound quality at a price that is not excessive. And it includes a windscreen for cutting out unwanted noise and the mount for camera fitting.
The camera is lightweight and is powered by one AAA alkaline battery which it is claimed will give you up to 400 hours of operation. The battery is not included. It has a coiled cable with a 3.5mm connector.
Records stereo sound very precisely…
Included is the SMH-X shock mount that will eliminate any noise or vibrations from the camera or when mounted on a tripod or boom. It records stereo sound very precisely and automatically rejects any off-axis noise or sounds.
It is not a professional mic by any means, but it does produce very acceptable quality audio. The stereo performance is very good, and the rejection of unwanted sounds impressive. It doesn’t have to be right in the face of the target either and will record quality from a reasonable distance.
Better than outstanding, for the price…
It has to be said though that the quality produced by this mic is very good and when considered with the price is better than outstanding.
The build quality is best described as ok being part metal and part plastic, so maybe a little care is needed in handling.
It’s a good buy if you just want to get great audio for some simple video without spending a fortune.
Pros
- Produces good audio.
- Cost effective.
Contras
- Handle with care if using it outside.
Best Microphones For DSLR Video Camera Buyers Guide
Time To Put Some Good Audio With Your Video
We read in some journals about the poor quality of the microphones that are provided with today’s video cameras. It’s all a bit unfair in many ways. It is a ‘video’ recorder, not a ‘video and audio’ recorder. The most important aspect is recording quality video; the sound is an afterthought in most cases. And to be honest, they’ve done well to provide any sound recording facility at all.
But as technology advances and we all become potential Spielberg’s, or think we are, then demands on the equipment we use will get higher. Expectancy levels rise, and the manufacturers are not really geared up, or it seems interested in providing high-quality sound for a basic commodity like a video camera.
I think we can all understand that.
There are some that produce better quality, but these are very expensive pieces of kit, and most people are already using their mid-priced range cameras and just want better audio.
Nothing wrong with that.
We have tried to find what we consider to be the best microphones for DSLR video cameras. There are many options, some specializing in certain areas others just good all-rounders. But you need to ask yourself the question…
What Will I Use It For?
Is it for fun with the family, holidays with sound, days out recording the kids as they grow up?
Maybe its for publication albeit at a lower level. Or possibly you need real quality for work projects that need to be just right?
All of the microphones we looked at impressed us in one way or another; that’s why they made it to our review. But they tended to be designed to fulfill certain functions and work in certain environments.
Some were the Shotgun kind, concentrating the sound from one source; others collected the sound from wider sources. Some were for outside broadcasts, maybe sporting events or similar. While others are more suited for quieter one to one interviews.
Deciding how you will use your best Microphones for DSLR Video Camera is important in making your choice.
No background noise…
Where Will I Use It?
This is vital. Some microphones are rugged and built for the outside. They have onboard equipment and extra facilities provided to cut out wind and environmental noise that you will experience if you are filming outside.
If you intend to use it mostly out of doors, it will need to be well built and have these facilities.
What Does It Look Like?
Sounds a rather irrelevant question for a microphone but if you are using it for a live broadcast or a recording where it is visible on camera, perhaps an interview, then it needs to look professional.
There are a few issues to consider, but amongst the microphones we have reviewed, we think you will find the best microphone for your DSLR video camera.
So, What Are The Best Microphones For DSLR Video Camera?
We would want it simple to connect and operate and obviously produce as good a sound as we can get. Good noise reduction is important but also some versatility because it could be used in a variety of venues. We have therefore decided that the best microphone for a DSLR video camera is the…
Tascam TM-2X Stereo X-Y Microphone For DSLR Cameras
Well-built, easy to set up and use and with a rotation of audio field that will provide interesting sound options.
A quality microphone at a realistic price.
